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当日蚀发生时，为免黑暗永临，奥吉布威（Ojebway）印弟安人的勇士们把带火的箭射向天空，以重新点燃太阳熄灭的火焰。
很多时候，为了驱逐心中的恐惧，我们必须鼓起更大的勇气。就如那些挺直了背脊，抬头向太阳射箭的古老勇士。当燃烧的火光从手中射出，一次次划亮昏暗的天际线，黑暗便无法降临。
夜晚的南街是喧闹的，她延续了白天的热力，以另一种不同的方式释放出来。但这儿毕竟是都市的边缘，附近小镇里的人们没有太晚入睡的习惯，而从市中心来的玩客们，多半也不会停留到地铁停驶的午夜，因为那得多花一大笔出租车钱。
所以，从夜里十点半开始，南街就会迅速地安静下来。到了十一点过后，大多数的灯光都熄灭了，只留下几盏路灯，和着少数酒吧里的昏暗灯火。莲河的流水声会在这样的时候缓缓浮出来，一点一滴浸透整条街道。
现在，已经过了十点半，就连虹桥两端最繁华的地段，也人影疏落了。
两条街上星河一样的灯火正一盏盏熄灭，虹桥南端的空地上，却忽然亮起了一簇火光。
“我反复研究过照片，当时项义诚就是在这个地方点的火，不会错。”杜心岩站在篝火前说。
火星“毕毕剥剥”从刚点燃的干柴里跳出来，在火焰周围飞舞。周围四个人的脸庞在闪烁火光的映照下明暗不定。
“我搜集到一卷明代的古纸，三卷清代的，还有些古笔古墨和古砚台，但没有一件是宋代的，时间太紧了。明代的古纸我截了一小段给杜心岩，他在上面临了《清明上河图》虹桥的那一部份，我觉得很棒。”苏忆蓝说。
“时间紧，我只能粗粗摹了一小点。”杜心岩说。实际上他为此花了五小时，虹桥是整幅画的最精彩部分，上面的人物众多，临摹难度很高。
在苏忆蓝的脚下放着一个竹篮，篮里全都是“祭品”。
“项义诚当时到底烧了些什么东西，从照片上看不清楚。这么差的底片没法冲出清晰的照片。所以在文房用品之外，我还准备了一些传统的纸马和锡箔。照片上还有一个灵牌状的木牌，上面不知刻的什么。项义诚信道家，所以我推断这个木牌要么是道家三清的牌位，要么是张择端的牌位，我也照着这个准备了。短时间里我能做的就是这些。”